Off to the Studio

Today is our first working day at the studio. I’m quite looking forward to it. Last week we went to scope out the studio and it was large, well equipped and pleasant with its own kitchen and bathroom. I am here with my friends Daphne and Nicki. Daphne is a bookbinder, and Nicki is a photographer.

Through our combined efforts, we’ve been able to chat people up and they have given us enough materials for free to make many more prints than we need to. We will give them a print to thank them if it all goes well. People have been really helpful and informative if we tell them what we want and what we are doing. Daphne’s Italian has been amazing. I have asked her to try and find out where there might be a luthier, where I might be able to buy beeswax, where we might be able to find a commercial lithographer, and although she doesn’t know the correct vocabulary, she is able to get a response from people which allows us to follow up and achieve what we want to.

First thing we are going to a commercial lithographic printer to collect a lot of large used aluminum plates. We need to get there early, before the tourists want to go to Murano, so that the vaporetto isn’t too crowded, and we don’t inconvenience people with our large package. He at first offered to give us used ones that were still dirty with ink, but then he decided to give us clean ones, found us a sturdy box to put them in, and he will make a handle for the box to make it easy to carry.

We are making rubbings of textures we find in the streets of Venice. It does create a bit of a stir! The sight of three women of advanced age squatting on the ground with charcoal and paper attracted a crowd three deep at times. It was my idea to do this : I thought the rubbings would be a reference for the work we will produce, a way of getting a sort of intimacy with the city, and also a simple introduction to printmaking for Nicki and Daphne.

We also had a discusion about making a book from our rubbings, the photos we are taking and prints, locally sourced papers, fabrics and so on. So, we’re collecting material for this project, too. Daphne will be in charge of this – telling us what sizes to make the pages and so on. We won’t have time or material to make it here in Venice, but when we go home we can do it. It will be a record of our time here, and a reference book for future work.

Nicki has been in charge of navigation, and has done a wonderful job in a city notorious for it’s complexity and difficulty.

We are loving our time here.

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Exhibition closing soon….

There’s still a few days left to catch my show at Gaffa Gallery. I’ll be taking it down on Tuesday!  Following me into Gallery 2 at Gaffa, is my friend Megan Jones, who is showing oil paintings on a similar theme: Memory. Memories, Dreams, Reflections.

Memories, Dreams, Reflections at Gaffa Gallery 2

Memories, Dreams, Reflections

Projection of 'Recurring Dream' and wall piece and house for '....a little rain...'Exhibition at Gaffa

A few shots of the exhibition. The projection is a piece made in collaboration with my daughter, Danielle, and my partner, Richard Bevins. Danielle helped to shoot the video and edited it. Richard arranged the sound for the video and helped curate the show as a whole, as well as assisting with the bump in.

Tales of Things

I’m thinking of using Tales of Things so that visitors to my exhibition who have androids, iPhones and iPads  (the well connected) can comment on the pieces, and add their own memories. Maybe I’m asking for trouble! Its a beta version, and there seem to be a few bugs to sort out, but its a very exciting idea, particularly for an exhibition about memory!

Through Tales of Things you can create a QR code for an object. If the code is displayed alongside the object, people with the right technology can scan the code, and read information about it. More importantly, they can add their own contributions to the online description, which others can read when they scan the QR code. We’ll see if I have the time, and can iron out the problems I’ve experienced with my first attempts.

Half remembered Text

Exhibition

Printed paper houses for my exhibition. Each house is lit from within.

I’m having a solo exhibition at Gaffa Gallery, Clarence Street, Sydney, entitled Memories, Dreams, Reflections. The opening is on the 9th March from 6 to 8pm. Please come and have a look if you’re available!

See the Gaffa website for information about how to get there, parking, and hours of opening.

Boundless

I have just heard that my work has been accepted for ‘Boundless’ an exhibition of print based work which stretches the boundaries of the medium. The exhibition will be held at the Hastings Community Art Centre, New Zealand, and will travel later to Wellington, New Zealand. The exhibition has been organised by the Central Print Council of New Zealand.

Forgetting.

The Good Book

The Good Book is an alternative, secular Bible. Its principal concern is how life – the good life – should be lived. This book has been made by philosopher A.C.Grayling in the same way that the Judaeo-Christian Bible was made: by redaction, editing, paraphrasing, interpolation, arrangement and rewriting of texts from the last three thousand years of the great secular traditions. It has been made from over a thousand texts by several hundred authors and from collections and anonymous traditions. Its been written in a similar form and similar language to the Christian Bible.